optical illusion

  • The perception of pattern – join the dots

    contemporary art and science - perception of pattern from dots

    The perception of pattern. Ambiguously decipherable interlocking patterns of dots

    Patterns generated by superimposed lines of dots

    This image is inspired by a diagram by David Marr (1945-1980), a British neuroscientist who worked extensively in the field of visual processing.
    The David Marr image, shown below, was concerned with the way in which the human eye (and brain) will scan images seeking out understandable patterns. The image reminded me very much of some of the images that I’ve produced myself that involve the perception of pattern (before I’d seen the David Marr image), both in its form (arrays of dots) and its intension (the generation of ambiguously decipherable interlocking patterns).

    David Marr visual processing dot pattern
    (Image reprinted courtesy of The MIT Press from Vision: A Computational Investigation into the Human Representation and Processing of Visual Information by David Marr, ©MIT 2010, figure 2-5, page 50)

    Naturally I was inspired to deconstruct the David Marr image so that I could then try to create my own images based on what I found. The image at the top of this post is the first result.
    After studying David Marr’s image I worked out that a simplified version of it could be constructed from multiple versions of the basic star-like element shown below, with each element placed at an equal distance from the adjacent elements.

    contemporary art science pattern perception

    I call this star-like image a basic element, but that’s slightly inaccurate.

    This ‘basic element’ isn’t really a basic element at all, because each ray of the star is a rotated repetition of an even more basis element, this being a row of thirty three dots in a straight line. See the image below. So in some ways the element in the image above isn’t really a star-like shape at all – it’s actually a set of six lines of dots rotated to different degrees.

    pattern perception in visual processing

    Just one more thing.
    When you look at the innermost dots centre the star-like element above you see a clearly defined inner ring of dots and probably a less obvious secondary ring of dots. These ‘innermost dots’ are only ‘innermost dots’ if you choose to define the dots that are closer to the centre of the figure as a separate entity (a ring). In truth all of the dots in the image have the same status (other than that of their position), all being simply dots in lines, it’s just that the ones closest to the centre most easily form a ring when interpreted by our brains. Our brains can interpret the second set of dots as a secondary ring because you can, when you concentrate slightly, see that they are linked into this formation by association with their neighbours, although more loosely than is the case with the emphatic inner ring. What you won’t notice though is that the next set of dots outwards also form a ring, as do the next set and the next set all the way out to the end of the rows of dots. You can’t see this because for all of the dots beyond the secondary ring the dots are too well separated for the eye to associate them with each other. Somewhere in the space between the secondary ring of dots and the next dots outwards a threshold is crossed at which the brain can’t hold the dots together as a ring – the association is broken.

    It’s interesting that this explanation was intended to be about the relatively complex image at the top of the post, but I’ve spent most of my time dissecting the simpler star-like image of the underlying element. Fortunately, the points that I’ve made about the underlying element are exactly the points that can be applied to the more complex image, and thankfully without the excessively complex structures within the complex image conspiring to befuddle the brain.

    The David Marr image was featured in the introduction to the book Art Forms in Nature, featuring the drawings of German biologist and artist Ernst Haeckel (1834-1918), published by Prestel, 1998.

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  • Mirrors, reflections, perception and illusion.

    mirror based art - shoe reflections in a mirror

    Shoe reflected in a mirror – the art of illusion

    Shoes, mirror. 2013

    This is a version of an artwork exploring reflections in mirrors, in this case based on a pair of shoes and a mirror. The shoes are positioned so that the reflection of each shoe in the mirror coincides exactly with the other shoe on the opposite side of the mirror, merging the real shoe and the reflection of the other shoe into what appears to be one shoe.
    Like a lot of my works that involve illusion this one explores the line between reality and our interpretation of what we perceive, our perception of reality.

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  • Illusion in a mirror – the interpretation of perception and the illusion of continuity

    Contemporary art: an optical illusion reflection of colored rods in a mirror

    Colour Discontinuity 3 – the illusion of continuity

    Front surface mirror, wood, acrylic. March 2017 20x20x14cm

    A colored rod reflected in a mirror, positioned so that the reflection of the rod coincides with another rod of a different color on the other side of the mirror, creating an ambiguous optical effect.

    A study of ambiguous visual stimuli to question the nature of perception and the interpretation of reality through the visual illusion of continuity.

    The work is quite small and is intended to be viewed close up. Because of this the mirror used is a front surfce mirror (or first surface mirror), which is a mirror that is coated on the front rather than the back. As a result there are no ghost reflections caused by the thickness of the glass.

    I’ve worked with mirrors since I was a teenager in the late 1960s, when I ground the parabolic mirror for an astronomical telescope that I’d constructed. I got it coated by Grubb Parsons, a telescope manufacturing company that constructed seriously large telescopes including the Isaac Newton telescope and the William Herschel telescope. I used that mirror in one of my early mirror art experiments in about 1970.

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  • Environmental art – planet earth in a kitchen waste bin

    environmental contemporary art sculpture

    Environmental contemporary art – the Earth in a kitchen waste bin.

    Kitchen waste bin, digital display.    January 2017, Cornwall.

    This is an example of my work on environmental issues such as global warming and climate change. This sculpture addresses the issues of over-consumption, environmental degradation and waste. I have been creating work about the state of the natural world and the environment since the 1970s.

    From most angles (as in the image on the left, above) the bin looks like any conventional kitchen bin: however when viewed from the front (the image on the right, above) the opening in the bin is transformed into a portal to the cosmos, with the Earth suspended in the darkness of outer space.
    The inside of the bin is pitch black due to the use of extremely matt black paint, while the Earth shines as a back-lit image.

    environmental contemporary art sculpture

    The work carries the environmental message that the human race is treating the earth with contempt and that we are effectively placing the planet itself in the rubbish bin.
    The work is a development of a concept that I had in about the year 2000, when I produced several environment-themed drawings of the earth falling into a wastepaper basket. The sculptural potential of using a real rubbish bin to create an illusion of outer space is a more recent development.

    A version of this work was shown in my solo show at Tremenheere Sculpture Gardens, Cornwall in 2022 and was shortlisted for the Royal Academy Summer Exhibition in the same year.

    Below is a video of the work showing the dramatic optical illusion effect of the work which can only be appreciated in three dimensions of on video.

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  • Art and science – String Theory with nylon cord and mirrors

    Art and science -infinity mirror effect - optics and perception

    String Theory

    Mirrors, cord and light source: January 2017. W=30cm H=30cm

    A study for a work composed of mirrors that are configured so that they create reflections round a symmetrical axis and also create reflections in infinite regression.
    The reflected object in this work is a single short length of coloured cord (about 40cm long), made to appear much longer by the multiple reflections in the mirrors. The cord is brightly coloured and is lit by a directional light source which gives the cord the effect of being a pulsating energy stream in a containment vessel, perhaps in a high energy physics laboratory.
    This work brings together my interests in art and science, especially the science of optics and perception.

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  • Perception and deception. Odd shoes reflected in a mirror

    Humorous contemporary art - a mirror with the reflection of a shoe

    Perception and deception. Odd shoes reflected in a mirror

    Shoes, mirror. January 2013

    Part of a series of works involving the reflection of shoes in a mirror, with the shoes positioned so that the reflection of each shoe in the mirror coincides exactly with the other shoe on the opposite side of the mirror.
    In this work the shoes involved are not a pair.
    This creates a double dissonance in the viewer. Firstly the viewer has to interpret the fact that the reflected part of the shoe is not part of the other shoe, and secondly the viewer has to interpret the fact that the two shoes are different (with the degree of difference varying depending on the position of the viewer and thus the amount of the shoe that is behind the mirror that is visible).
    Like a lot of my works that involve mirrors, reflections, perception and optical illusions this one explores the line between reality and our interpretation of what we perceive. Hopefully it includes an element of humour too.

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  • Mirror based art with reflections

    Mirror based contemporary art reflections

    A study of reflections using mirrors and screws

    Mirrors, screws.  March 2017

    A study of reflections using mundane everyday objects to create interesting multiple reflections.
    Here ordinary hardware screws are arranged to form a dynamic expansive configuration.
    Screws lend themselves to this study partly because of their physically dynamic shape – large at one end and then tapering away at the other – and partly because of their intended purpose, which is to hold things in place – the exact opposite of dynamic expansiveness – which brings a slight touch of paradox to the work.
    If anyone looking at the image feels that I ought to have lined up the screw heads, it’s a deliberate act not to have aligned them, even though in real life I am an obsessive screw head aligner.

    Mirror based contemporary art reflections

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  • Contemporary art: mirrors + multiple reflections = optical illusions.

    contemporary art mirrors and multiple reflections illusion

    Reflections and illusions.

    Mirrors, fluorescent cord. 2017

    An example of one of my contemporary art projects exploring mirrors, reflections and illusions, here using a piece of cord that is reflected multiple times to give the impression of a closed circle.

    This work consists of three mirrors arranged as a triangular box with the reflective surfaces facing inwards. The box is placed over a length of brightly coloured meandering paracord. The cord is laid so that the section that lies inside the triangular box is reflected on the box’s sides to give the illusion of forming a circle. The second photo shows the work from a different angle to show the structure.

    mirrors and optical illusions in contemporary art
    mirrors and optical illusion in contemporary art

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  • Reflection in a mirror creating colour discontinuity

    contemporary art - a mirror reflection creating optical illusion

    Colour Discontinuity 1. Coloured rods reflected in a mirror

    Mirror, wooden rods, acrylic paint. July 2015

    A coloured rod reflected in a mirror so that the reflection in the mirror coincides with a differently coloured rod on the other side of the mirror, creating a form of ambiguous optical illusion.

    A study in perception, illusion and the interpretation of ambiguous visual stimuli.
    I’ve been interested in mirrors and reflections since I was a teenager in the late 1960s. My first mirror based work was done at that time. It started a science based endeavour rather than an artistic one – involving the construction of an astronomical telescope, including the grinding of its primary parabolic mirror.

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