This work consists of a length of brightly coloured cord hanging over the branch of a hawthorn tree in a patch of woodland in Cornwall.
The simplicity of construction of the piece is important. The observer will hopefully notice the almost total lack of endeavour required to create the work, while also noticing the (hopefully) relatively high aesthetic payoff as a result of that endeavour.
The two bright vertical lines formed by the work contrast sharply with the dark shadows and the tangled and twisted branches and twigs of the hawthorn and blackthorn in the wood.
The fact that the cord creates two hanging lines gives the cords an increased presence when compared with a single hanging cord. They seem to resonate against each other and create a more concrete effect than would be achieved with a single one dimensional strand.
A lot of land art and other art in the environment strive to use only natural ingredients in the composition of the art, good examples being the work of Richard Long and Andy Goldsworthy. This work however consciously uses artificial material in the form of nylon paracord.
The placing of brightly coloured plastic into the environment refers partly to humanity’s imposition of artificiality onto the natural world. This is partly a message about the despoiling of the environment by our endeavours. The fact that the nylon cord is simply draped across the branch of a tree helps to reinforce this message, as the cord acquires qualities associated with the detritus of our throw-away consumer society. The fact that the cord is plastic reinforces this further, and the fact that the straight lines of the cord are cutting through the organic forms of the woodland gives a slight sense of violent imposition. However, the brightly coloured plastic looks quite pleasing in some ways and to some sensibilities, so the work is also saying that humanity’s imposition of artificiality onto the environment has a positive side to it (but also that just because something looks nice doesn’t necessarily mean that it is).
In fact, where would we be without the artificiality that we impose on the environment? The artificiality that we create is one of the greatest achievements of the human race. Would you like to live without the electric and electronic devices that populate your life? (The coloured cord could easily be a length of electric cable). The main problem is that we just create too much artificiality. Hence some of the ambiguity in this piece.
The use of coloured cord in this work was undoubtedly inspired by the work of Fred Sandback.
This is a piece of art that I created recently that’s inspired by frequent unpleasant encounters with dog poo bags while out on walks in the countryside.
On one walk along a popular track up a mountain in Wales last year the poop bags were so frequent that they inspired me to conceive of the idea of a path lined with an avenue of poop bags. I’m looking out for a suitable venue.
For the work in these photos it was a small step to move a single bag from the countryside to the art gallery. The question is, is it a real dog poo bag or not? All that I can say is that it’s described as being ‘mixed media’.
This is a visualisation of a concept that I’m thinking of developing into a piece of finished artwork.
It’s a form of environmental sculpture.
The work will consist of a conventional domestic rubbish bin with a black bin liner inside it.
From most angles (as in the image on the left, above) the bin will look like any conventional bin: however when viewed from close up at the front (the image on the right, above) the observer will see that looking inside of the bin the blackness of the bin liner gives the impression of a dark void within the bin. Visible in the void will be a glowing representation of the earth. The effect will be of the earth suspended in the vastness of outer space. The bin will appear almost to be a portal to another dimension.
The idea of a mundane rubbish bin containing a portal into outer space is very appealing.
I haven’t yet decided how the representation of the earth in the bin should be realised. It could be a dimly glowing globe or it could be a digital display on a screen positioned near the base of the bin.
The work is an environmental statement and carries an obvious message – that at the human race’s current rate of consumption of the earth’s resources we are treating the earth with contempt and are effectively placing the planet itself in the rubbish bin. The message is obvious because there is no time for subtlety here! Think of it as the sculptural equivalent of an environmental campaign poster.
The work is a development of a concept that I had in about the year 2000, when I produced several drawings of the earth falling into a wastepaper basket. The sculptural potential of using a real rubbish bin to create an illusion of outer space is a more recent development.
The emotional impact of seeing the earth floating in the black void of space inside the bin refers to some extent to the iconic photographs of the earth as seen from space as photographed by the astronauts in the Apollo moon missions.
Work created January 2017, Cornwall.