Chess set, disintegrating board with optical illusion (there are no black squares).

contemporary art sculpture - disintegrating chess board with illusion of black squares
Chess: Black Holes
Wood, acrylic, chess pieces. February 2016

In this work I’ve created a chess set out of short blocks of wood.
The first thing that the viewer notices when looking at the work is that the chess board is fragmenting or disintegrating.
Less obvious however is that the chess board is composed only of the white squares. These white squares are the tops of the blocks of wood, the sides of which are painted black. It is the black sides of the blocks that give the impression of the black squares of the chess board. The seeming existence of the black squares is a visual illusion, as they are nothing more than black holes. See the photograph below. The illusion is as true with the actual, three dimensional chess set as it is with these photographs.
Part of the impact of the piece is in the way that the viewer only notices the ‘black holes’ of the missing black squares on the chess board after already being intrigued by the disintegrating nature of the board.
The piece has political overtones, in that it is partly about the disintegration of power (as symbolised by the combative nature of the game of chess) and the disintegration of order (as symbolised by the rigid grid of the chess board). It is also about more existentialist themes such as dangers that lurk in the world (the black holes as traps or stumbling blocks) and the nature of physical reality (with the holes representing the unknown parts of the physical universe (such as the actual black holes that result from collapsed stars). It’s also just a nice visual illusion, and thus contains humor as well as its more weighty themes.

contemporary art chess set
The chess board contains no black squares – they are an illusion.

Contemporary art chess board

Starburst

contemporary giclee print - optical effect

Proscion II
Giclee print, March 2018

A still image from an animated work showing a starburst effect.
The image was used in the Deep Space event on 21st April 2018 at Sterts Theatre near Liskeard in Cornwall.

Watercolour study: stability and uncertainty

A contemporary watercolour study of stability

Watercolour study: stability and uncertainty
Watercolour. 20cm x 20cm. 2018

A watercolour painting created as part of a series exploring the depiction of simple, precise geometric forms (such as the triangle here) using techniques that introduce imprecision to the geometry of the image.
A study of order, stability, uncertainty and potential disintegration.

Environmental art – heads created from discarded milk bottles

contemporary environmental sculpture from consumer waste - sculptural head created from milk bottles

Milkman
Milk bottle, ink. August 2018

Slightly unsettling heads created from empty plastic milk bottles.

Like many artists I have a habit of collecting waste and recycling it into works of art.
The sinister appearance of these heads, drawn as they are on post-consumer waste in the form of discarded plastic milk bottles, can be interpreted as a comment on the fact that we as humans are destroying the environment through (amongst other things) our profligate use of plastic packaging.
The fact that the heads also resemble the type of craft-play objects produced by children can be interpreted as alluding to the western world’s current tendency towards a philosophy of consequence-denying pleasure seeking in which the adults in society fail to take responsibility for their actions beyond immediate self-gratification.

contemporary environmental art sculpture created from consumer waste - heads created from plastic milk bottles

Ball and Chain – pencil sketch

Pencil drawing of a ball and chain

Ball and Chain
Pencil on paper, 9cm x 9cm. August 2018

A sketch from my imagination of a ball and chain that may or may not be flying through the air under their own power (In other words, they aren’t flying because they’ve been thrown).
The ball and chain in the drawing is meant to evoke a sense of freedom instead of a sense of being restrained.

Stranded Object: art and climate change

contemporary art and global warming - abandoned marooned form

Stranded Object
Ink, gouache, digital, paper. 28 x 19cm. July 2018

This image, like many images that I’ve created recently (mid 2018) is a work that is largely generated from my imagination. Having said that, the original inspiration for the crescent-like form was a piece of toast crust.
The work contains definite ominous overtones. These are probably linked to the general atmosphere of foreboding that seems to permiate society at the moment (manifesting itself in such things as the election of Donald Trump in the USA and the swing of many European countries to the right). On top of this the phenomenon of global warming threatens to disrupt the earth’s entire ecosystem and to overturn all civilisation as we know it. Things have only just started to get bad.
The prime source of the foreboding in this work is indeed climate change and the fear of a devastated planet. The imaginary object in the image bears some resemblance to an organic form, possibly a part of an animal’s anatomy – perhaps a horn or a jawbone. The slender forms that protrude from what may be the teeth of a jawbone could possibly be legs, turning the form into something like an upturned crustacean. Whatever it is, the object has the feel of a decaying life-form. The object also has something of the feel of an unnatural artefact – perhaps a piece of rubble following the destruction of a building (with the slender forms representing metal rods in reinforced concrete).
Whatever it is, the object is abandoned or marooned on a featureless plain that probably represents the devastated earth following the ravages of climate change. The fact that the object looks very large is probably symbolic of the enormity of the threat that climate change represents.
Having said all that, the work was not created with any particular symbolism or meaning consciously in mind. I’ve worked backwards from the finished image to find its possible meaning. I’m sure that it also has meanings that are purely to do with the workings of my own brain.

Dog Walk: art installation composed of dog poo bags

Dog Walk: dog poo bags
Plastic bags arranged on path. Unspecified contents. Video. Cornwall. June 2018

A video of an art installation in the countryside that comments on the behaviour of some dog walkers.
The work features an avenue of discarded dog pooh bags.
The work was inspired by the experience of going on many walks in the countryside and coming across discarded black plastic dog poo bags: sometimes hidden, sometimes in full view. There’s a theory that the dog owners leave them there to be picked up on their return, however, many of them don’t do it.
The work was created near St Ives, Cornwall.

Fin – an addition to a rock formation, Cornwall

contemporary art - concept drawing for sculpture in the landscape near St Ives, Cornwall

Fin
Photograph with digital drawing, September 2018

A photograph of a natural granite rock formation with a drawing of a fin-like object added to the photograph as though it is attached to the rock.
The rock formation in the photograph is on the Penwith peninsula in west Cornwall, a few miles from St Ives. The large rock on which the fin is  drawn is a rocking stone, known locally as a Logan stone. The stone is said to move slightly when pushed correctly.
The image is a finished artwork, despite the fact that it resembles a concept study for a sculpture in the landscape. The drawing of the fin is deliberately  inconsistent in  terms  of photographic realism with the rest of the image.
Having said that, the development of the concept as a sculpture is a possibility.

Stone eye

surrealism in contemporary art - giant stone eye

Stone eye
Ink, gouache, digital. July 2018

A sketch of a gigantic stone eye resting on the ground. A mysterious pipe-like cylinder extends upwards from the eye. A similar eye in the distance shows the pipe-like structure extending unfeasibly high into the air.
The eye and pipe bring to mind some designs of stove.
Perhaps the image is influenced by Celebes by Max Ernst, in which the rotund form was derived from a Sudanese corn bin..

Hammers – photomontage for sculpture in the landscape, Cornwall

contemporary sculpture land art - giant hammers

Hammers
Photomontage, Cornwall. June 2018

A photomontage of a concept for a sculpture in the landscape.
The landscape in the photograph is the Penwith peninsula in west Cornwall.
The hammers are meant to project a sense of overbearing force, the fact that there are several of them possibly implying organised force (such as military force). Hammers, to me, have a certain anthropomorphic quality to them, suggesting a degree of human identity – a long thin body with a head at the top. The blank facelessness of the heads of the hammers in this image suggest a mindless power.

contemporary sculpture  in the landscape - oversized hammers

The concept also contains an element of humour directed at the art world, in that the massive scale of the work comments on the often gigantic scale of works of sculpture and other interventions in the landscape. Oversized everyday objects are a common feature in sculpture.

Square and circles : gouache and watercolour

contemporary watercolour and gouache abstract art - black square with red circles

Black square, white circle, red circles
Gouache and watercolour, watercolour paper. 24cm x 21cm: July 2018
Ghis is a painting from a series that I’m working on that explores the dynamics of stability and instability.
The square in the image suggests stability, while the circles, with their lack of roundedness and their off-kilted positioning, suggest instability. The smoke effect adds to the sense of disequilibrium.

The painting has no specific right way up, which all helps with the feeling of precariousness that the work generates.

Mixed media (watercolour and plastic)

contemporary mixed media abstract art - watercolour with plastic

Mixed media (watercolour and plastic): July 2018.

An abstract monochrome watercolour painting incorporating a plastic mixing palette.
The mixing palette is visible through a hole that is cut in the painting.
There’s a certain amount of humour in the use of the mixing palette in this work (to me at least). The palette is essentially a found object, of the type that was popular with the surrealists and other artists. This found object however was the actual palette that I used to hold the colour for the painting, so it was an incredibly convenient object to find. I just had to reach over and pick it up. I like the way that the palette isn’t obviously a palette, as an obvious palette in an artwork is a bit self-referential and solipsistic.

Art in the environment, Cornwall

art in the environment - abstract sculpture near St Ives, Cornwall

Transience
Wood and acrylic paint. Zennor Hill, near St Ives, Cornwall. 25th June 2018

A transient sculpture composed of lengths of painted wood battens (the type of wood commonly used in building construction).
The sculpture was created by positioning a small number of battens in the landscape, photographing them, repositioning them and rephotographing them. Then merging the photographs.
As a result the work has an interesting relationship with time. The sculpture never existed in its entirety as depicted in the photograph, each batten only being in position for long enough to take a photograph. The sculpture only takes on its final form when the twenty-five minutes that it took to position and photograph the battens are compressed into a single instant.

A work of land art, an intervention in the landscape, or art in the environment. The wood battens are about a metre long.