Lavender fields
Household paint on canvas. 10ft x 12ft January 2019
At work on a stylised, semi-abstract landscape painting of lavender fields and sunflower fields as a stage backdrop.
Semi-abstract form
Semi-abstract form
Gouache on paper. 21cm x 30cm November 2018
A black and white semi-abstract gouache painting on paper.
Flight and freedom
Flight and Freedom
Video. 2min 56sec. November 2018
A video about freedom and its opposite: limitation or confinement.
Freedom is expressed by the unconfined wheeling flight of the crows. Limitation is symbolised by the inert, motionless statue around which the crows are flying.
Pathos is a major ingredient of the work, because both the birds and the statue have wings, but only the birds can fly.
The unconstrained flight of the birds only serves to emphasise the fact that the statue is rooted to the spot.
The work is a comment on the desire of the creators of the statue (us) to have the power of natural flight, and their obvious inability to have it.
The statue is on Alexandra Palace in north London.
Wings of Stone, Wings of Feather – a work about flight
Wings of Stone, Wings of Feather
Video. 2min 13sec. November 2018
A video about flight, showing crows flying round a statue.
Both the birds and the statue have wings, but only the birds can fly.
The wheeling, swirling motion of the birds only serves to emphasise the fact that the statue is a lumpen object rooted to the spot.
The work is a comment on the desire of the statue’s creators to have the power of natural flight, and their inability to have it.
The statue is on Alexandra Palace in north London. It’s probably made of concrete.
Earth Bin – environmental art installation
Earth Bin
Sculpture/installation. November 2018
A sculpture showing how I feel the human race is treating the planet – by putting it into the waste bin.
The sculpture consists of a standard kitchen waste bin, lined internally with black material and with a back-lit image of the earth at its base. The result is the illusion that by looking into the bin you are looking into outer space as though through a porthole in a spacecraft, with the earth appearing to be floating in the distance. The kitchen waste bin was deliberately chosen as the reciprocal that contains the earth because of its banality, to emphasise how we are depleting the earth’s resources through mundane consumption.
Plastic in contemporary art – recycled milk bottles
Milk bottle heads
Plastic milk bottles, ink. September 2018
Plastic milk bottles as human heads.
These heads are an example of art created from found objects or recycled rubbish. These heads are partly a comment on our throw-away consumer culture.
Milk bottle heads – sculpture from recycled rubbish
Milk bottle heads
Plastic milk bottles, ink. September 2018
Plastic milk bottles with human heads drawn onto them.
These heads are an example of art created from rubbish. Their recycled nature is partly an observation on our throw-away consumer culture.
The bottles are surprisingly head-shaped, reminding me somewhat of various non-Western forms of sculpture. I particularly like the way that the milk bottle handles make very interesting and bizarre noses.
I’m in the process of making several dozen of them, as their impact is increased as their numbers increase.
A Leaf Changes Colour in Autumn – Painted Maple Leaf
A Leaf Changes Colour in Autumn
Leaf, acrylic paint. September 2018
A maple leaf painted blue with red polka dots.
The leaf had fallen from the tree in autumn.
The inspiration for this work came partly from the fact that the leaves on the trees were changing colour in the autumn, prompting me to think of changing their colours in other ways.
In previous years I’ve painted acorns and suchlike in unusual colours.
Like a lot of my work, this work is involved interacting with and responding to the natural environment.
Disembodied Hands – near St Ives, Cornwall
Hands
Plastic hands, granite rock, Cornwall. Each hand, 7cm. October 2018
A pair of toy plastic hands positioned on a granite rock.
The hands give an unsettling feeling about the presence of the rest of the person to whom the hands belong. It’s almost as though the rest of the person is there, but in a ghost-like, invisible form.
It is in some ways a piece of art about presence and absence.
The work was created near St Ives, Cornwall.
Random Squares and Concentric Rings – abstract digital art
Random Squares and Concentric Rings
Digital. October 2018
Abstract art based on circles, squares and rectangles.
A major compositional feature of the image is the relatively random distribution of squares on one side contrasted with the very enclosed and restrained concentric distribution of the rings on the other side. This is a deliberate contrast between randomness and constraint. The fact that the squares all have their sides horizontal and vertical is a deliberate feature of restraint imposed on the relatively randomly positioned squares.
The rings are not perfect circles. This is partly to disrupt any preconception that they should be perfect circles, especially in an image that’s composed of basic geometric shapes.
The use of squares and long thin rectangles is probably influenced in part by Mondrian and the de Stijl group.
Travelling Glomeris Marginata
Travelling Glomeris Marginata
Video. Near St Ives, Cornwall. October 2018
The creature in this video isn’t a woodlouse, it’s a pill millipede, of the species glomeris marginata.
It’s climbing up the outside of a door frame.
I was struck by the way that the millipede seemed to be gliding along its course up the door frame as though hovering slightly above it, as its multitude of legs are concealed. I also like the armour plating, which, along with the hovering, makes the creature look like either a high tech machine or an alien. Or a hybrid of both. The feelers help too.
Semi-human figure gouache sketch
Running figure with hair
Gouache on paper. Sketch. October 2018
A five minute gouache sketch of a semi-abstract semi-human figure with strange thick hair that are almost tentacles.
Cluster flies on a window – insects as art
Cluster flies on a window
Video. 17 sec. Near St Ives, Cornwall. October 2018
When I made this video I assumed that the flies that it features were house flies that had been feasting on a rotting animal carcass concealed somewhere within the walls of the building. The sinisterness of the insects was intended to be a feature of the video.
Since then a bit of research has informed me that the insects were in fact harmless cluster flies (pollenia rudis).
Cluster flies enter buildings on autumn evenings in search of shelter from the worsening weather conditions. Then the following day they sometimes want to get out again, as in the video.
They may enter buildings in small numbers or they may enter in thousands. In the case in the video it was many many hundreds.
The flies live in the countryside, where their larvae feeding on earthworms. They aren’t a health hazard (as far as I know).
Knowing that the flies were harmless and had entered the building seeking shelter rather than being house flies fresh from a rotting corpse in the attic altered my view of them considerably, and I now rather like them, at least on the video. They are an inconvenience though.
I particularly like the way that the flies in the video are moving in an almost choreographed manner. It’s like a little piece of performance art.
The nice calm view out of the window (apart from a bit of wind) is in stark contrast to the dynamic motion of the flies on the window pane.
Gallery wall mural visualisation
Wall mural visualisation
An image applied directly to the wall of an art gallery (visualisation). July 2018
A photomontage showing what an image from my series of smoking squares would look like if applied directly to an art gallery wall as a mural.
Steel Ball, Granite Rock, near St Ives, Cornwall
Steel Ball, Granite Rock
2cm steel ball in granite rock formation. Near St Ives, Cornwall. August 2018
A steel ball between two large granite rocks.
The rocks are part of a typical granite stack-like outcrop of rock at the top of a moorland hill in Cornwall.
Shoe Heads – surrealist sketch
Shoe Heads
Ink sketch on paper. 23cm x 23cm. August 2018
An ink sketch of two figures with shoes as heads. The shoes are a pair.
This is one of a series of concepts involving shoes and other footwear in varyingly surreal contexts.
My intention is to create a sculpture of this group.
Minimalist abstract – black square with circle removed
Black Square with Circle Removed
Gouache on paper. 30cm x 30cm. June 2018
Part of a series of abstract minimalist paintings of black squares with a circle missing from a corner, in this case along with the part of the square that is separated from the main body of the square by the circle.
This painting is a study of presence and absence. The black square has the quality of a solid, impactful entity while the white circle and top left corner give the impression of absence or negative space.
In other images the black square itself conveys a quality of negative space, suggesting a black void in the centre of the image.
Bird Form – an abstraction from a raven or crow
Bird Form
Ink on paper with digital additions. September 2018
A drawing based on an abstracted raven or crow-like bird.
The creature in this drawing is only superficially meant to resemble a raven or a crow. It’s actually meant to resemble something rather simpler – not a lot more than just a triangle on legs with a beak (Other drawings of similar creatures bear no resemblance to any recognisable biological genus at all). The body is meant to have very little form or obviously functional components (There are no eyes, wings or arms for example). The body is simply a structure for holding the legs and beak in place.
The creature is meant to convey a form of mindless brutality, largely conveyed by its posture, its lack of eyes and its vicious beak. Real crows, ravens and other members of the corvid family are, in contrast, are far from mindless, being renowned for being among the most intelligent of birds.
The image is in some ways a study in anthropomorphism. Crows are often perceived as being malevolent creatures, largely due to their appearance (The black feathers, the large beak). If I’d created the image using, say, a robin as the inspiration for the bird, would it have looked so full of foreboding to us as a human audience? Even though robins are in fact a particularly aggressive species.
Mirror-based artwork – multiple reflections inside a cube creating the illusion of the word “OXO”
OXO Cube
Mirrors, paper, acrylic. March 2017
This is one of my prototypes of a mirror-based artwork that I’m developing.
The work consists of four mirrors forming the vertical walls of a cube, with the mirrored surfaces facing inwards. Each mirror reflects the mirror opposite it, including the reflections in that mirror, so the reflections build up to form infinite reflections (or, more accurately, multiple reflections, as the reflections gradually fade due to light loss).
As well as that, where two mirrors meet in the cube’s corners each mirror reflects the other corner mirror, creating a different set of multiple reflections.
In this artwork the design on the cube’s floor forms this image:
In each corner of the cube the semicircle and angled line in that corner is reflected in the mirrors to appear to form the word “OXO”.
Each of these words “OXO” is then reflected infinite times in the other mirrors in the cube.
This artwork is titled “OXO Cube”, as it’s just too good a title to ignore.
A low viewpoint looking into the mirror cube, as below, shows the infinity mirror effect at its best.
Steel Eye – reflections in a sphere
Steel Eye
Steel ball on ink sketch. 13cm x 13cm x 2cm. August 2018
A steel ball placed on a sketch pad in the centre of a radiating vein-like pattern. The reflections in the sphere give the effect of an eye-like form.
The work can be thought of as a study for a floor-based sculpture with a large steel sphere placed on a floor onto which the radiating vein-like lines are applied. It works very well at a small scale however, with the steel ball approximately the same size as a human eye. The intimate size of the small version makes this version quite unsettling, while a larger version would possibly be less unsettling but more visually intriguing (because the reflections in the ball wouldn’t invoke so precisely a human eye).
The initial concept came to me while working on a different project involving a steel ball (but not reflections) on a sheet of paper. I noticed that the reflection of the white paper and the room on the ball gave the impression of the white of an eye and the iris of the eye.
