Art in the Environment

contemporary art in the environment - cord in tree

This work consists of a length of brightly coloured cord stretched through the tangled branches of blackthorn trees in a patch of woodland.

This work consists of a length of brightly coloured cord hanging over the branch of a hawthorn tree in a patch of woodland.

The simplicity of construction of the piece is important. The observer will hopefully notice the almost total lack of endeavour required to create the work, while also noticing the (hopefully) relatively high aesthetic payoff as a result of that endeavour.

The two bright vertical lines formed by the work contrast sharply with the dark shadows and the tangled and twisted branches and twigs of the hawthorn and  blackthorn in the wood.

The fact that the cord creates two hanging lines gives the cords an increased presence when compared with a single hanging cord. They seem to resonate against each other and create a more concrete effect than would be achieved with a single one dimensional strand.

A lot of  land art and other art in the environment strive to use only natural ingredients in the composition of the art, good examples being the work of Richard Long and Andy Goldsworthy. This work however consciously uses artificial material in the form of nylon paracord.

The placing of brightly coloured plastic into the environment refers partly to humanity’s imposition of artificiality onto the natural world. This is partly a message about the despoiling of the environment by our endeavours. The fact that the nylon cord is simply draped across the branch of a tree helps to reinforce this message, as the cord acquires qualities associated with the detritus of our throw-away consumer society. The fact that the cord is plastic reinforces this further, and the fact that the straight lines of the cord are cutting through the organic forms of the woodland lives a slight sense of violent imposition.  However, the brightly coloured plastic looks quite pleasing in some ways and to some sensibilities, so the work is also saying that humanity’s imposition of artificiality onto the environment has a positive side to it.

In fact, where would we be without the artificiality that we impose on the environment?  The artificiality that we create is one of the greatest achievements of the human race. Would you like to live without the electric and electronic devices that populate your life? (The coloured cord could easily be a length of electric cable). The main problem is that we just create too much artificiality. Hence some of the ambiguity in this piece.

The use of coloured cord in this work was undoubtedly inspired by the work of Fred Sandback.