Wellington boots with arms – photomontage
A photomontage showing arms emerging from the tops of a pair of wellington boots.
The arms are sinking down into the boots, as though the boots are devouring the owner of the arms. The theme of predatory footwear is one that I’ve explored several times over the past few decades. Another example can be seen here – shoes with teeth.
This photomontage was created while I was exploring various options for creating a sculpture that included wellington boots. I feel that these boots have a strong sculptural presence, and I’m quite surprised how under represented they are in the discipline.
The image, which I think probably falls into the category of contemporary surrealism, is meant to be both humorous and unsettling.
Shoes with extended laces
This photograph shows a pair of walking boots with their laces extended away from them.
I took the photograph when I noticed the boots on the floor (they are my boots) with the laces extended in this way and with the light from the window falling in this way. The effect is strangely unsettling, to me at least.
Abstract watercolour with fresh fruit
This image was created by a process of serendipity.
I had recently created the abstract watercolour square using a technique that I’m experimenting with at the moment. Then I decided to experiment with creating sculptural forms from bananas. I placed the banana on top of the watercolour while I wondered what to do with it (not normally good practice) and decided that I liked the composition and the contrast in form between the watercolour and the fruit.
An abstract watercolour painting.
May 2018. 110mm x 110mm
The black square and the blue teeth were painted en plien air in a wood full of bluebells in the grounds of Hatfield House, Hertfordshire. The red centre or the square was added later in the studio.
I thought that it was a spontaneous composition from my own subconscious until last week when I was browsing through a book I own of the work of Brian Rice and saw multiple versions of the same concept.
A photograph of two people standing in a way that makes their heads seem to merge in an unsettling and humorous way.
The bizarre, surreal effect of the photograph is enhanced by the uniform bright red background and the colour the clothing. The photograph was taken on a ferry between Oban and the Isle of Mull in Scotland, May 2018.
Translucent sphere on a marble column: 1993; height: 20cm
An abstract sculpture that uses a translucent resin sphere on the top of a marble column to capture the effects of the light.
In the photograph the sculpture is positioned on a slate base against a rough painted granite wall to give the work a robust organic feel.
White Circle: May, 2018.
An abstract watercolour painting that plays with the tension between the absolute stable state of a circle and the chaotic state of the rest of the image.
The perforations along the edge of the paper are an integral component of the composition, being part of the disruptive tension in the work.
A ceramic sculptural form.
The work is slightly suggestive of a fungus such as a stinkhorn, although the work was conceived as a purely abstract sculpture.
The sculpture is 25 cm tall.
Created in 1995.
Below is a view of the sculpture from above, in directional lighting. This view shows well the dramatic differences that differing viewpoints can make when viewing three dimensional artwork (or anything else for that matter).
A group of works composed of clusters of coloured ceramic cone-like forms.
The forms are individually rolled by hand as cones and are then distorted to create a sinuous waving effect. They are each between 1 cm and 25 cm tall.
The forms were conceived as purely abstract, however they have an organic feel to them and have something of the suggestion of marine or aquatic organisms about them. They could be worm-like creatures emerging from the sea bed and waving in the ocean currents.
I like to sit down with a sketchbook every so often and draw whatever comes into my head. Objects with bird-like features are a recurring theme. These slightly surreal dancing teapots are a good example.
This is a pen, ink and watercolour sketch drawn in Cornwall, April, 2018.